Our trip to Latvia last summer is now 3 months into history and so far I've intended, but not followed through with, posting blog entries to document it. I have the picture above set as background on my laptop desktop as a reminder. It was taken from the observation tower of St. Peter's Lutheran Church in Old Riga, looking north toward the mouth of the Daugava River in the Baltic Sea.The week-long stay was my second to Latvia (my first was in 2005) and Beth's first and once again I was determined to search for more details of my ancestors' lives there in the 19th century. In 2005, the search concentrated on my Great Great Grandfather Johann Karl Ludwig Maddaus, an artist and art teacher in Riga. I was also looking for a connection to Andzs Rathminder of Vecpiebalga, presumed to be my Great Grandmother's father, but nothing could document their relationship.
Fortunately, in spite of Russification, two World Wars, German repatriation, the Molotov-Ribbentrop pact between Stalin and Hitler, Nazi Invasion and near 50 year Soviet occupation, Latvia has been independent. Even more miraculously, a fair amount of historical information is available and my ancestors had profiles that warranted modest recording.
A recent breakthrough was the internet access to Raduraksti which consists of digitized records from many of the churches that were active in Latvia in the 19th century. Thanks to some hunches I followed in my search, I was able to find my Great Grandmother's baptism record and her parents names: Johann and Marie Rathminder. Johann's name in Latvian is Janis Ratminders, and he was the younger brother of Andzs Ratminders. Why my Great Grandmother mis-represented her parentage is unknown, but the clarification has opened up new insights to her up-bringing.
Our visit included viewing 9 of Johann Maddaus's paintings in a variety of locations including The National Art Museum in Riga, an exhibit at Rundale Palace, and churches in Garkalnes and Tirza, and a church in neighboring Paistu Estonia. We were taken to the site of Johann's burial plot at the Great Cemetery (Lielie Kapi) in Riga and to another church in Carnikava that once had an altar painting he painted. Both were obliterated during Soviet times, but were among those restoration projects which have been prevalent in Latvia over the past 18 years.
We visited Bauska, Baltezer's, Garkalnes, Carnikava, Vecpiebalga, Gaizinkalns, and Tirza, and met some of the most wonderful people, many of whom I had contacted by email prior to our arrival. We were treated with tremendous hospitality everywhere we went, and at times felt that it was as deeply moving for our hosts to have a great-great grandson of Johann Maddaus to visit his work as it was for me to see it. In many ways the circle had been closed with our meeting.
